indeed like kord concluded, the strategy of horror films is to elicit the guilt by making the audience identify themselves with the persecutor rather than the victims. beyond the scopophilia and identification/allegiance, this film is also multilayered regarding to the speciality, the death, the corporeality, the psychoanalysis and cine-reflexivity
荷埃迪:222.18.49.24
质量上乘的套路剧依旧是hurt and heal整体节奏控制的非常出色情感描述的十分细腻叙事层面很有层次且很完整尤其是kate的演技挺进邻居人妻雪白的身体韩国电影几乎没有表演痕迹相当的自然以及特意学习的方言、皮肤上的“瑕疵”无不把角色表现的立体★★★★